abstract
Driven by the organic textures of daily life and the expression of flow through ink and brush, my abstract project explores the human body as a living canvas.
By weaving textural elements into each design, I seek to emphasize and empower the body’s inherent beauty, revealing forms that resonate in harmony with, and reflect, the uniqueness of each individual’s personality.
從生活細節中發掘被忽略的美，
並水墨筆觸的流動作為表達，
於抽象系列中探索人體與紋理之間的互動。
試圖強調並喚醒身體線條的美，
展現與每個個體的性格相互呼應、
相互和諧的獨特形態。
Calligraphy
Calligraphy is an art that is easy to learn yet difficult to master. To me, it is both the most abstract and the most tangible form of expression.
Chinese characters themselves are vessels of meaning, while the endless variations of brushstrokes and lines become more than surface texture, they embody emotion.
When calligraphy is transformed into tattoo, it becomes a fusion of word (the outer form) and story (the inner essence), where the beauty of brushstrokes merges seamlessly with the natural lines of the human body, creating a singular and enduring mark.
書法是一門「易學難精」的學問，
對我而言，它既是最抽象的，也是最真切的。
漢字本身承載著意義，而書法的表現則千變萬化。
筆觸與線條不僅僅是質感的展現，
更是情緒的流露。
當書法融入紋身時，
往往形成文字（表面）與故事（內在）的交會，
使筆觸之美與人體線條的美相互映合，
化為獨一無二的印記。
INK painting
The philosophy of ink painting has always been at the core of my practice, focus on the pursuit of inner expression. Painting, to me, is a reflection of the shifting states of the mind, an act of lending emotion through objects.
The noble virtues embodied by plum, orchid, bamboo, and chrysanthemum remain subjects I return to time and again, while butterflies, insects, birds, and flowers also carry layers of rich symbolism. Through tattoo as a medium, I hope to offer a way for people to channel these meanings, allowing their inner feelings and states of mind to be inscribed upon the skin as a lasting expression.
水墨畫中「寫意」的哲學一直是我研習的核心，
重在追求內心的表現。繪畫，
實則是在描繪自身的心理變化，
借物以抒情。梅、蘭、竹、菊所蘊含的君子品格，
始終是我反覆探討的題材；
而蝴蝶、昆蟲、花鳥等主題，
也皆承載著豐富的意象與情感。
我希望能藉由紋身這一載體，讓人們得以以題寄情，
將內在的心境與情感化為肌膚上的永恆印記。
Oranamental
The ornamental totemic designs I create emerged from my study of seal carving, evolving out of the forms of ancient seal script. Seal script can be traced back to oracle bone inscriptions, where the structure of pictographic characters resonates with the arrangement of decorative motifs.
While emphasizing ornamental form, I preserve the underlying meaning of the characters, allowing each design to harmonize naturally with different parts of the body.
裝飾性的圖騰設計，
從篆書中逐漸衍化出的形態。
篆書可追溯至遠古甲骨文，
其象形文字的結構與紋飾的排列往往相互呼應。
以裝飾造型為主的同時，
亦保留文字背後的意涵，
使之能與身體的各個部位自然契合。
Seal to skin
Seal to Skin is a series that evolved from my study of seal carving. A seal is a highly symbolic object, each impression represents an identity, and through it,
one can sense the person behind it.
These seals carry the stories of individuals, partners, and families. I insist that every seal be hand-carved,
for the warmth of the hand is irreplaceable; the texture captured in each impression mirrors the uniqueness of every story it embodies.
「Seal to Skin」是從自習篆刻而延伸出的系列。
印章是一件極具象徵性的物件，
每一方印皆代表著一個身份，
見其印便能感知其人。
而印章所承載的，是個人、伴侶、家族的各種故事。我堅持每一方印皆由手工刻製，
因為手的溫度無可取代；
印上呈現的質感，
如同每一段故事，都是獨一無二的。
